Both Crystal Serenity and Crystal Symphony underwent major changes, mostly to the staterooms, once the new owner took possession of them. Our suite was not in the area where this had been done, so it looked as familiar as before.
Sitting area and dining table, which we use more as a desk |
Bedroom area |
Once we were on board and checked in, which didn't take long as there are only about 150 guests on board for this voyage, we dropped our hand luggage and went for a stroll. We knew that the biggest changes in the public areas were redesign in Umi Uma and the former Prego, now Osteria d'Ovidio, as well as the replacement of the casino by The Lounge.
The Lounge - it is actually very nice and comfortable, and this is where the Puzzle Tables are! |
A model of the original Crystal ship, Crystal Harmony |
Palm Court on our second day out of Reykjavik. The seas had calmed right down after the first day and have stayed that way. |
The redesign of Umi Uma, with the large table separating the restaurant section from the area by the Sushi Bar |
The new redecorated Sushi Bar |
Osteria d'Ovidio, and a long overdue redo of the room's design |
These booth tables look very comfortable for 4 to 6 people |
So far we've had dinner at Waterside and Umi Uma, with the Osteria on tap for tonight. I'll put food into its own blog post. Look for that one tomorrow!
The entertainment has been the usual Crystal standard - excellent. In fact the production shows featuring the Crystal Ensemble are the same ones as before. This doesn't take anything away from them at all; they are just as good and performed with at least as much enthusiasm as they always were. And the female lead singer is one of our favourites, Sarah Elizabeth Combs.
The Irish dancing scene from the Welcome Aboard show - always a crowd favourite |
Our first formal night was on Saturday Sept 8, when we met the 'new guy', Captain Vincent Taillard from France. He's very nice but not as talkative as those Norwegian fellows - Captain Vorland has to give him a few lessons on 'working the crowd'.
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